very attractive cantata from BL MS Add 14215 which expounds the plight of the lover of Dorinda (la bella) and has a great gasping aria to end.

Editor: James Sanderson

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Here our lover tells the nightingale to be silent and simply moan at the sadness he feels. Beautiful music with a depressing subject. Dorinda, it seems, is playing hard to get and our protagonist is lamenting the fact. Very much an alto cantata (going down to a bottom G) this is a fine example of the simpler ARA format with some delightful word-painting in both arias and recitative.

Source: Naples Conservatorio.

Editor: James Sanderson

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Miserable Mirtillo is complaining of the rigours and upsets of his love for Dorinda. In RARA format, allegro and adagio arias provide pathos and brilliant coloratura.

Range: d# – a”

Editor: James Sanderson

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The tempestuous meeting of Tirsi and Dorinda. ‘Your eyes are the cause of my suffering…but I will always be faithful…’ In Duet – Recit – Duet format with both duets virtuosic for the singers.

Source: 1721 edition in the British Library

Range (soprano): c – g’

Range (alto): G – d

Editor: James Sanderson

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"Leave me but a moment…" to wallow in self-pity of course. The sad story of the doomed love of Eurillo and Dorinda in ARA format. An excellent chromatic largo to start and a lively tempo giusto to finish.

Source: 1721 edition in the British Library

Range: b flat to d’

Editor: James Sanderson

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The first cantata in the 1721 edition dedicated to George I. 2-part prelude then RARARA format. All arias most singable with a virtuosic presto in the middle. Our young lover is leaving his Dorinda and makes a real song and dance about it!

Source: British Library copy of the 1721 edition

Range: B flat – f’

Editor: James Sanderson

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Contemporary copy (see soprano version below) of the first cantata in the 1721 edition dedicated to George I. (2-part prelude then RARARA format. All arias most singable with a virtuosic presto in the middle. Our young lover is leaving his Dorinda and makes a real song and dance about it!

Source BL Add 14226 f57 – 70r

Range: d – b flat’

Editor: James Sanderson

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The three soprano cantate con violini from the 1721 edition ‘Cantate e Duetti dedicati alla Sacra Maestà di Giorgio Rè della Gran Bretagna’

Barbara ninfa ingrata
Ecco Dorinda il giorno
Il Lamento d’Olimpia

See individual titles for details

Editor: James Sanderson

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The course of true love never runs smooth and in this delightful story of Aminta & Dorinda two emotions play in her heart – disdain and love – what will the outcome be? Dorinda will remain constant!

Source: (autograph?) in the British Museum RM.22.a.8(1)

Range: d – a”

Editor: James Sanderson

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A collection of three settings of the ‘Sotto l’ombre d’un faggio’ text, by Mancini, Leo and Porpora. 2 continuo cantatas and one with violins. See the individual cantatas for previews etc.

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